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Principal photography took place in the summer of 1972, beginning in July, with a non-union crew and a considerably low budget of $300,000 (excluding some deferments to film labs and actors).
The film's score makes repeated use of the short composition Gassenhauer from Carl Orff's Schulwerk, and apparently also uses other pieces from the Schulwerk. The same piece was used for a scene in the film Ratcatcher as well as the films True Romance, Monster and Finding Forrester.
The film was edited by Robert Estrin; Billy Weber is credited as associate editor and both he and the art designer Jack Fisk went on to work on Malick's next three features Days of Heaven (1978), The Thin Red Line (1998) and The New World (2005).
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On 2009/01/08, Will said:
Feel free to post any comments or questions here. I will reply as soon as I am able.
Thanks for your time, and I look forward to hearing from you. -- Will.
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