img_1714.jpg, Badlands National Park, SD

Malick began work on Badlands after his second year as a student at the American Film Institute. "I wrote and, at the same time, developed a kind of sales kit with slides and video tape of actors, all with a view to presenting investors with something that would look ready to shoot," Malick said. "To my surprise, they didn't pay too much attention to it; they invested on faith. I raised about half the money and [executive producer] Edward Pressmen the other half."

Though Malick paid close attention to period detail, he did not want it to overwhelm the picture. "I tried to keep the 1950's to a bare minimum," he said. "Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time."

 
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