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The film's score makes repeated use of the short composition Gassenhauer from Carl Orff's Schulwerk, and apparently also uses other pieces from the Schulwerk. The same piece was used for a scene in the film Ratcatcher as well as the films True Romance, Monster and Finding Forrester.
The film was edited by Robert Estrin; Billy Weber is credited as associate editor and both he and the art designer Jack Fisk went on to work on Malick's next three features Days of Heaven (1978), The Thin Red Line (1998) and The New World (2005).
Malick also pointed out that "Kit and Holly even think of themselves as living in a fairy tale," and he felt that was very appropriate as "children's books like Treasure Island were often filled with violence." He also hoped a "fairy tale" tone would "take a little of the sharpness out of the violence but still keep its dreamy quality."
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On 2009/01/08, Will said:
Feel free to post any comments or questions here. I will reply as soon as I am able.
Thanks for your time, and I look forward to hearing from you. -- Will.
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